Historic Map - Morrisville, Vermont - 1889

Code:: 1W-VT-MO-1889
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Description

Panoramic map of Morrisville, VT, Lamoille County, drawn and published by Geo. E. Norris in 1889.

This brief description of Lamoille County appeared in the 1883-84 Gazetteer of Lamoille and Orleans Counties, VT:

"Lamoille County, next to Grand Isle the smallest in the State, lies north of the central part of the same, between latitude 44ï¿½ï¿½ 24', and 44ï¿½ï¿½ 46', and longitude 4ï¿½ï¿½ 7', 4ï¿½ï¿½ 34', bounded north by Franklin and Orleans counties, east by portions of Orange, Caledonia, and Washington counties, south by Washington county, and west by Franklin and Chittenden counties. Its extent from north to south is about 27 miles, and nearly the same from east to west, thus giving it an area of about 420 square miles, or 268,800 acres, which contains a population of 12,684.
In surface it is varied by all the charms of nature, from towering cloud-capped mountains to the sylvan dales and silvery lakeletes that adorn its nestling valleys. Turn which way you will, the lover of the beautiful in nature cannot fail to meet with that which will both charm and captive the senses. Upon the north and west rise Mansfield, Sterling, and White0face mountains in their splendor. Upon the south and east are Hog-back and Elmore mountains, while between them extend broad intervals of excellent farming land.
Mount Mansfield, consisting of three distinct peaks, lies in the southern part of Cambridge, extending also into the towns of Underhill and Stowe. Its summit, 4,389 feet above tide water, is the highest point of land in the State. The name Mansfield is derived from the contour resemblance of the mountain to the face of a human being, the three peaks being designated as the Chin, the Nose, and the Lips. The Chin furnishes on of the grandest and most extensive views in New England. Standing upon its summit in a clear day, the observer looks down upon the country extending from the base of the mountain to Lake Champlain as he would upon a map, and beholds in the outspread panorama an agreeable diversity of hills and villages, forests and cultivated fields, villages and streams of water. Further along in the picture may be seen Lake Champlain, which at intervals is observed, far to the north and south, peering out in the blue distance like inlaid masses of highly polished silver, to give light and beauty to the scene. The valley of the lake may be traced its entire length, beyond which arise the majestic and picturesque Adirondacks, which give a romantic beauty to the background of the picture, and terminate the vision in that direction by their numerous pointed summits. Turning to the east, the wavy line of the horizon is broken by the sharp outlines of the White Mountains, which rise up in the dim distance sixty miles off, and form a marked feature in the landscape, while the intervening space is filled with innumerable summits of hills and mountains, with deep extended valleys, showing the location and courses of the Connecticut, Winooski and Lamoille, and their numerous tributaries. To the north can be seen the wide-spread valley of the St. Lawrence, and by the aid of a glass in a clear day steamers may be seen gliding upon its waters. The well-known figure of Montreal mountain, from which Cartier first looked upon the mountains of Vermont, rises in the hazy distance.
Sterling Mountain is about four miles northeast from the chin, in the township of Morristown. Its altitude is a little less than 4,000 feet, and were it not for the proximity of Mansfield, would doubtless be regarded as one of the favorite resorts for "sight-seeing", for the same enchanting glories are visible from this peak that meet the eye on Mansfield. Between these two mountains a deep gorge intervenes, known as Smuggler's Notch, through which, in the early settlement, a bridle road was dept open, and tradition says contraband goods were secreted in and found their way through it; but latterly no one disturbs its solitude, except those seeking an exhibition of nature in her wildest and most romantic haunts."

Features numbered & lettered references to the following locations:

Congregational Church.
Methodist Church.
Baptist Church.
Universalist Church.
Town Hall.
Post Office.
People's Academy & Graded Schools.
Railroad Station.
Morrisville House, A. R. Terrill.
Vermont House.
News & Citizen, Lamoille Pub. Co..
Morrisville Foundry Co..
Pulp Mill.
J. W. Daniels, Butter Tub Mfrs..
A. J. Smith, Livery & Feed.
W. S. Cheney, Horses, Carriages and Sleighs.
Hendee & Fisk, Attorneys.
P. K. Gleed, Attorney.
E. J. Hall, M. D., Office and Residence.
J. A. Robinson, Dental Surgeon.
H. B. Bryant, Station and Express Agent, M'g. International Telegraph.
C. H. Slocum, Groceries, Clothing, Boots and Shoes.
Geo. K. Courier, Boston Cash Store.
G. W. Doty, Furniture, Carpets, Crockery, Paints and Oils.
A. M. Churchill, Tinware, Stoves and Hardware.
G. E. Woodward, M. D., Drugs and Medicines.
A. O. Gates, Drugs, Medicines, Books, etc..
Frank E. Healey, Jr., Watches, Jewelry and Silverware.
O. L. Woods, Merchant Tailor.
Andrews & Hitchcock, Meats and Provisions.
L. B. Boynton, Restaurant.
S. B. Doty, Produce and Fertilizers.
G. A. Barrows, Express and Truckman.
G. W. Hendee, Residence.
H. C. Fisk, Residence.
P. K. Gleed, Residence.
H. H. Powers, Residence.
C. M. Boynton, Residence.
A. M. Churchill, Residence.
Mt. Mansfield.
Mt. Sterling.
Elmore Mountains.

Materials

Archive Paper

Premium fine art paper that provides accurate color reproduction with high-contrast, high-resolution print output and maximum image permanence. A high-quality print ready for framing.

Museum quality paper for high-quality fine art.
Ultra smooth, neutral white matte finish.
Heavy-weight 230 gsm, 9.5 mil thickness.
Printed with pigment inks for longer print life and enhanced fade resistance.
Pigment based Canon LUCIA inks provide smooth tones and rich colors in fine, precise detail.

Luster Photo Paper

A premium semi-gloss photo paper with a subtle texture that produces a vivid, richly detailed print. This material results in an exquisitely detailed giclee print of substantially higher quality than a standard poster.

Printed on 10 mil premium luster photo paper resulting in a brilliant, colorful image with a vivid life-like quality.
Pigment based Canon LUCIA inks provide smooth tones and rich colors in fine, precise detail.
Inks have a lightfastness rating of over 100 years, guaranteeing minimal noticeable fading over a very long period of time.
Printed using very high resolution source files.
Giclee printing is superior to traditional lithography in a number of ways: colors are brighter, lasts longer, and is a higher resolution.

Canvas on Wood Rails

A canvas giclee print is mounted to wooden hanging rails placed along the top and bottom of the map. Ready to hang on the wall using the attached hanging cord. Wood rails feature a natural finish.

Premium 19 mil canvas material.
Wood rails are 1 1/8" wide, round front.
USA sourced solid maple wood.
High quality giclee fine art print with a lightfastness rating of over 100 years.
Pigment based Canon LUCIA inks provide smooth tones and rich colors in fine, precise detail.

Canvas Gallery Wrap

A high quality canvas giclee print is hand stretched over a sturdy wood frame. Printed on demand and handcrafted in Seattle, WA. The canvas gallery wrap serves as a stunning piece of art ready to hang on your wall.

Premium 19 mil canvas material.
Pigment based Canon LUCIA inks provide smooth tones and rich colors in fine, precise detail.
High quality giclee fine art print with a lightfastness rating of over 100 years.
Durable canvas mounted to a 1" deep wood frame.
Ready to hang with included easy-to-use hanging kit.

Made In The USA

Our wall map products are designed and printed on demand by our small team in Seattle, WA using high quality materials and fine art giclee printing.

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